TC-11 is a remarkable multi-touch synthesizer designed specifically for the iPad. Notably, it is the only fully programmable option of its kind on the market. With TC-11, you have access to a wide range of features and functionalities that allow you to create music in ways that were previously unimaginable.
With 160 presets included, you can immediately start exploring the various sonic possibilities that TC-11 offers. If you prefer to craft your own sounds, you have the option to build custom patches using touch controls, device motion, and on-board modules. This level of control truly represents the next evolution in synthesizer technology.
The critical reception for TC-11 has been overwhelmingly positive:
- Jordan Rudess, renowned keyboardist from Dream Theater, describes TC-11 as "ALIVE!" and highly fascinating.
- Tim Webb from discchord.com emphasizes the robustness and complexity of TC-11's capabilities, labeling it as an essential tool.
- David Israel of smitematter.com highlights the limitless sonic possibilities and praises TC-11's innovative design.
TC-11 offers a multitude of features to enhance your creativity:
- 185 built-in presets ensure you have a diverse starting point for your musical journey.
- The ability to create unlimited user patches allows for complete customization.
- Audiobus compatibility and state saving capabilities streamline your workflow.
- Fully controlled by multi-touch and device motion, TC-11 provides an immersive experience where every synthesis parameter can be controlled by any multi-touch controller.
- Built-in recording and AudioCopy functionality enable you to capture your musical ideas effortlessly.
- An extensive selection of 23 modular synthesis objects provides a wide palette of sonic options.
- 22 oscillator waveforms and 4 controller modules (AHDSR, LFO, Table, Sequencer) offer endless sound shaping possibilities.
- Email custom patches to collaborate and share with friends.
- Full display customization allows you to tailor the visual interface to your preferences.
The unique multi-touch control system of TC-11 eliminates the need for traditional on-screen knobs, keys, or sliders. Instead, your performance on the multi-touch surface drives all synthesis. Touch relationships, such as distances, angles, and timings, are used to manipulate the various controllers. It's a truly immersive experience that allows you to focus solely on your music.
In addition to multi-touch control, TC-11 harnesses the power of device motion. Utilizing the iPad's accelerometer, gyroscope, and compass, you can introduce dynamic changes to your synthesis patch. By tilting or moving the iPad, you can alter filters, effects, and modules in real-time. For example, by moving the iPad during performance, you can create authentic vibrato effects, or by tilting forward and backward, you can adjust the speed of a sequencer. The possibilities are extensive!
The synthesis capabilities of TC-11 are highly advanced. With 8 voice polyphony and a highly optimized audio engine, you can expect crisp and responsive performance. TC-11 offers a diverse range of options including 22 oscillator waveforms, 3 oscillator types, 3 filter types, 4 unique effects, and amplitude modulation and panning control. Additionally, fully programmable AHDSR, LFO, and sequencer modules make TC-11 the most versatile iOS synthesizer available.
TC-11 is not just a static app for your iPad; it can be seamlessly integrated into live performances with your band or added to a laptop orchestra setup. It opens up a world of experimentation and creativity, representing the future of synthesizer control.
If you want to explore all the features and functionalities of TC-11 in detail, you can download the complete user guide here.
Przegląd
TC-11 jest programem Commercial w kategorii (2), opracowany przez Bit Shape.
Najnowsza wersja TC-11 jest 3.3.4, wydany na 06.02.2024. Początkowo był to dodane do naszej bazy na 06.02.2024.
TC-11 jest uruchamiany w następujących systemach operacyjnych: iOS.
Użytkownicy TC-11 dał pewien oszacowanie od 5 z 5 gwiazdek.
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